Paar Farblithographien auf Papier; „4 Engel im Paradies“ und „Salomon“ aus 1956 aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus. 1) Abbildung dreier dynamisch angeordneter Engelgestalten, umgeben von organischen Formen und fließenden Übergängen in zarten Violett-, Gelb- und Rottönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 121. 2) Darstellung des Königs Salomon als monumentale Zentralfigur in segnender Geste, umgeben von Engeln, figürlichen und ornamentalen Elementen, biblisch anmutenden Symboliken in Violett- und Gelbtönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 131; beide in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 2,88 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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13-lot silver; weight: approx. 683 g; elaborately designed silver pot with pear-shaped body, continuous vine decoration and indented shaft on a circular foot, encircled with relief vine leaf ornamentation; high-set ear-shaped handle made of light wood; hinged lid on the side with beaded and ornamental decoration, surmounted by a handle in the form of stylised vine leaves; wide spout adorned with a relief of Bacchus; age-related signs of wear; hallmarked on the side of the base with master’s mark (“GSD” in a heart-shaped shield – cf. Rosenberg, Vol. III, No. 4954) and Würzburg city mark, assay mark; height: approx. 26.8 cm.
1 x 925/- (filled), 1 x 835/- silver and 1 x plated; total weight: ca. 328 g; lot comprising: 1) small vase with pear-shaped body, vertically fluted all around, with tapered shaft on convex filled base; side stamped with crescent moon and crown, maker’s mark Gayer & Krauss, Schwäbisch Gmünd, and fineness mark “925”; height: ca. 14.3 cm. 2) vase with pear-shaped body on narrow foot ring with funnel-shaped rim; underside stamped with crescent moon and crown, maker’s mark Hermann Emil, Waldstetten, and fineness mark; height: ca. 14.3 cm. 3) handled vase with compressed globular body, side-mounted handle and wide, curved spout; underside with maker’s mark Hohmann & Katz AG, Pforzheim; height: ca. 10.5 cm. All pieces with age-related signs of wear.
800/- silver; total weight (without knives): ca. 966 g; 31-piece cutlery set “Schloß Rosenborg” in original case, comprising: 1) 6 dinner knives; some with age-related discolouration at the bolster; length: ca. 20 cm. 2) 6 dinner forks; length: ca. 17.7 cm. 3) 4 dinner spoons; length: ca. 17.8 cm. 4) 6 teaspoons; length: ca. 13.2 cm. 5) 6 cake forks; length: ca. 14.7 cm. 6) 1 soup cup spoon; various surface nicks on the bowl; length: ca. 15 cm. 7) 1 sugar spoon; length: ca. 13 cm. 8) 1 mocha spoon; length: ca. 10.5 cm. All pieces stamped with crescent moon and crown, maker’s mark and fineness mark, and with age-related signs of wear.
800/- silver: weight: approx. 690 g; round Chippendale serving tray with circular centre and slightly curved six-lobed rim; marked on the centre with crescent moon and crown, jeweller’s mark and fineness mark; age-related signs of wear and oxidation residues; diameter: approx. 34.7 cm.