Paar Farblithographien auf Papier; „4 Engel im Paradies“ und „Salomon“ aus 1956 aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus. 1) Abbildung dreier dynamisch angeordneter Engelgestalten, umgeben von organischen Formen und fließenden Übergängen in zarten Violett-, Gelb- und Rottönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 121. 2) Darstellung des Königs Salomon als monumentale Zentralfigur in segnender Geste, umgeben von Engeln, figürlichen und ornamentalen Elementen, biblisch anmutenden Symboliken in Violett- und Gelbtönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 131; beide in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 2,88 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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Glass with enamel décor and pewter mount; tankard with lobed, conical body, centrally attached C-handle and hinged lid with thumb rest in the form of a stylised eagle; pewter lid mount with white porcelain insert depicting the coat of arms of a historical Stuttgart student fraternity (presumably dissolved and unassigned today) with the surrounding inscriptions “Hütte sei’s Panier!” and “Glück auf!”; inner side inscribed: “E. Wandel”, interlaced monogram “FH”, “s/l E. Beines” (same interlaced monogram), “z. frndl. Erg. W.S. 1909/10 R. Frank Stuttgart”; inscribed “6/20 G” on the rim; faceted foot ring; age-related signs of wear, crack to the lid mount; height: approx. 18.2 cm; weight: approx. 967 g.
585 bicolour nib with inlay, inscribed “4810 14K MONTBLANC 585 149”, with pin brooch fitting; in original case; length: approx. 4 cm; very good condition; weight of pin: approx. 2.2 g; total weight: approx. 28 g.
White porcelain with polychrome portrait painting, rim with green ground decoration and surrounding floral and ornamental raised gilt decoration; plate in slightly recessed form with lobed and scrolled rim; 1st quality and in very good condition; diameter: approx. 26.5 cm; underside with earlier blue sceptre mark and impressed mark; weight: approx. 570 g.
White porcelain with continuous blue meander band, pink ground decoration, gilt rim and fine gilt painting on white ground; classical plate shape with wide rim, decorated and set off with fine gilt border towards the well; probably 2nd quality and in good condition with minimal signs of use; diameter: approx. 27 cm; underside with earlier blue sceptre mark, red orb (this one with underline) and black numerals (painter’s mark?); weight: approx. 815 g.