Paar Farblithographien auf Papier; „4 Engel im Paradies“ und „Salomon“ aus 1956 aus Chagalls Bibel-Serie; Verbindung von Expressionismus und Surrealismus. 1) Abbildung dreier dynamisch angeordneter Engelgestalten, umgeben von organischen Formen und fließenden Übergängen in zarten Violett-, Gelb- und Rottönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 121. 2) Darstellung des Königs Salomon als monumentale Zentralfigur in segnender Geste, umgeben von Engeln, figürlichen und ornamentalen Elementen, biblisch anmutenden Symboliken in Violett- und Gelbtönen, schwarz akzentuiert; Werksverzeichnis: Mourlot 131; beide in cremefarbenem Passepartout in Leinenstruktur, hinter Glas, in schmalen, profilierten goldfarbenen Rahmen, nicht geöffnet; Bildausschnittmaße: ca. 43,7 x 25,3 cm; Rahmenmaße: ca. 52,2 x 41,8 cm; Gesamtgewicht: ca. 2,88 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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Clasp in 750/- white gold; stylised flower set with 7 small diamonds, total approx. 0.05 ct; colour and clarity: in the medium range; dimensions: approx. 20.2 x 14.9 mm; cream-coloured Akoya pearls with silvery lustre; natural surface characteristics and slightly irregular shape; diameter: approx. 7.5-8.3 mm; total length: approx. 100 cm.
20-carat yellow gold; total weight: approx. 89 g; oval lidded box in yellow gold with framed enamel miniature depicting a Watteau-style scene with an antique-inspired portrayal of a couple leaning toward each other with a dog in an idealised landscape at the centre of the lid, framed by dark blue enamel with guilloché paillon and pellet décor within chased borders featuring green enamel floral scrollwork; rim divided into four square cartouches with ornamental décor and underside with corresponding oval cartouche showing fine floral and ornamental decoration; age-related dents, surface rubbing, and enamel damages of 5 to 10 mm; interior on both sides stamped with fineness mark “20 K” and six-pointed crown with monogram “AI”; dimensions: approx. 2.5 x 6.9 x 4.9 cm.
Platinum; total weight: approx. 80 g; composed of multiple articulated segments with lateral flow; centrally set with 31 rubies in various colour varieties, carat, inclusion characteristics and cut types: 1 cabochon and 30 faceted; dimensions of the stones from 4.6 x 3.7 mm to 10 x 7 mm; laterally framed by a total of 252 diamonds cut in various old cuts; colour: H-L (mid to lower range); clarity: SI-Piqué 2 (in the mid to lower range); concealed box clasp with side safety eights; dimensions of the bracelet: centre approx. 23.6 mm, sides approx. 16.6 mm; total length: approx. 20 cm; stamped on the reverse: Carl Ernst; minor signs of wear to the facet edges; various tin restorations on individual prongs; presumably a marriage assembled from several pieces of jewellery.
Platinum; total weight: approx. 13.5 g; stylised lyre form; set with 7 rubies in various colour varieties, carat, inclusion characteristics and cut types: 2 in lozenge shape 9.3 x 7 mm and 7.7 x 6.6 mm; 4 round shapes with diameters of approx. 9.2 mm, 8.7 mm, 6.7 mm and 6.5 mm; oval 1 x 9.2 x 7.3 mm; framed by 111 diamonds pavé-set in various old cuts, total approx. 5.38 ct (according to engraving); colour: H-K; clarity: VS-Piqué 2; dimensions of the pin: 64 x 25.8 mm; stamped on the reverse: Carl Ernst; 2 rubies with punctual bruising, minimal facet wear; pin stem and at the Garder two small tin restorations; rubies likely added later; presumably a marriage.