2 verschiedene Akoya-Perlenketten und Schließen, u. a. mit kleinen Rubinen und Saphiren, 70er Jahre
2 different Akoya pearl necklaces and clasps, incl. small rubies and sapphires, 1970s
Beide Schließen in 750/- Weißgold; Gesamtgewicht: ca. 12 g; runde Form in stilisierter Blütenoptik; jeweils mit sieben kleinen Rubinen bzw. acht kleinen Saphiren und mittiger Perle; Durchmesser: ca. 15 mm und 17,7 mm; eine Kette mit cremefarbenen Akoya-Perlen mit natürlichen Oberflächenmerkmalen und silberfarbenem Lüster; Durchmesser: ca. 6,7-6,9 mm; Gesamtlänge: ca. 63 cm (durchgeknotet). Eine weitere Kette mit silbergrauen Akoya-Perlen mit natürlichen Oberflächenmerkmalen und rosé-grünfarbenem Lüster; Durchmesser: ca. 6,4-6,8 mm; Gesamtlänge: ca. 70 cm (durchgeknotet).
Both clasps in 750/- white gold; total weight: approx. 12 g; round shape in stylised floral design; each set with seven small rubies or eight small sapphires and a central pearl; diameter: approx. 15 mm and 17.7 mm; one necklace with cream-coloured Akoya pearls showing natural surface features and silvery lustre; diameter: approx. 6.7-6.9 mm; total length: approx. 63 cm (knotted). The other necklace with silvery-grey Akoya pearls showing natural surface features and a rosé-greenish lustre; diameter: approx. 6.4-6.8 mm; total length: approx. 70 cm (knotted).
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.