2 verschiedene Akoya-Perlenketten und Schließen, u. a. mit kleinen Rubinen und Saphiren, 70er Jahre
2 different Akoya pearl necklaces and clasps, incl. small rubies and sapphires, 1970s
Beide Schließen in 750/- Weißgold; Gesamtgewicht: ca. 12 g; runde Form in stilisierter Blütenoptik; jeweils mit sieben kleinen Rubinen bzw. acht kleinen Saphiren und mittiger Perle; Durchmesser: ca. 15 mm und 17,7 mm; eine Kette mit cremefarbenen Akoya-Perlen mit natürlichen Oberflächenmerkmalen und silberfarbenem Lüster; Durchmesser: ca. 6,7-6,9 mm; Gesamtlänge: ca. 63 cm (durchgeknotet). Eine weitere Kette mit silbergrauen Akoya-Perlen mit natürlichen Oberflächenmerkmalen und rosé-grünfarbenem Lüster; Durchmesser: ca. 6,4-6,8 mm; Gesamtlänge: ca. 70 cm (durchgeknotet).
Both clasps in 750/- white gold; total weight: approx. 12 g; round shape in stylised floral design; each set with seven small rubies or eight small sapphires and a central pearl; diameter: approx. 15 mm and 17.7 mm; one necklace with cream-coloured Akoya pearls showing natural surface features and silvery lustre; diameter: approx. 6.7-6.9 mm; total length: approx. 63 cm (knotted). The other necklace with silvery-grey Akoya pearls showing natural surface features and a rosé-greenish lustre; diameter: approx. 6.4-6.8 mm; total length: approx. 70 cm (knotted).
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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