Los Nr. 019
3-reihiges Perlenarmband mit weißgoldenem Schloss, 1 Smaragd-Cabochon, 8 kleinen Smaragden und 8 kleinen Achtkant-Diamanten, 70er Jahre
3-strand pearl bracelet with white gold clasp, 1 emerald cabochon, 8 small emeralds and 8 small single-cut diamonds, 1970s

Schloss aus 585/- Gelb- und Weißgold; Gesamtgewicht: ca. 8,5 g; rosettenförmige, durchbrochene Form; zentral gefasster Smaragd-Cabochon, Durchmesser: ca. 6,5 mm; umrahmt von 8 runden, facettierten Smaragden in intensiven, z. T. opaken Grüntönen mit Jardin; akzentuiert durch 8 kleine Achtkant-Diamanten; Durchmesser des Schlosses: ca. 17,4 mm; drei Perlenstränge, gehalten von zwei unterteilten Stegen; cremefarbene Perlen mit silberfarbenem Lüster und natürlichen Oberflächenmerkmalen; Durchmesser: ca. 6,5-6,8 mm; Gesamtlänge des Armbandes: ca. 18,5 cm; das Armband muss neu aufgezogen werden, da es an drei Stellen gerissen ist; 8 Perlen müssen ersetzt werden.

Clasp made of 585/- yellow and white gold; total weight: approx. 8.5 g; openwork rosette-shaped design; centrally set emerald cabochon, diameter: approx. 6.5 mm; surrounded by 8 round faceted emeralds in intense, partly opaque green colour varieties with jardin; accented with 8 small single-cut diamonds; clasp diameter: approx. 17.4 mm; three strands of pearls, held by two segmented spacers; cream-coloured pearls with silvery lustre and natural surface characteristics; diameter: approx. 6.5-6.8 mm; total bracelet length: approx. 18.5 cm; the bracelet needs to be restrung, as it is broken in three places and 8 pearls need to be replaced.

Limit: 160,00 

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  • Los Nr. 361 Chagall, Marc (1887–1985)

    Los Nr. 361
    Chagall, Marc (1887–1985)

    Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    330,00 
  • Los Nr. 357 Waldegg, Franz (1888 – 1966)

    Los Nr. 357
    Waldegg, Franz (1888 – 1966)

    Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    160,00 
  • Los Nr. 358 Wohlers, Horst (*1935)

    Los Nr. 358
    Wohlers, Horst (*1935)

    Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.

    120,00 
  • Los Nr. 359 Wriggers, Adolf H. (1896 – 1984)

    Los Nr. 359
    Wriggers, Adolf H. (1896 – 1984)

    Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    160,00 

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