Marriage eines antiken Mittelteils mit einer gefassten Miniatur, datiert 1787, Darstellung eines Mannes in Denkerpose mit doppeltem Gliederarmband, Kastenschloss mit Saphir-Katzenaugen-Cabochon; gestempelt AT, um 1800 und 19. Jh.
Marriage of an antique centrepiece: with a set miniature dated 1787, depicting a man in a pensive pose, 10 rose-cut diamonds and 2 small rubies; double-link bracelet; box clasp with sapphire cat’s eye cabochon; stamped AT, c. 1800 and 19th century
Rosé- und Gelbgold, auf dem Schnepper mit 585/- gestempelt; Gesamtgewicht: ca. 33 g; hochovale Mitte mit gefasster Miniatur in Temperamalerei, Darstellung eines Mannes in Denkerpose, im seitlichen Profil, datiert 1787; schmaler, schlichter Zargenrand mit zwei angesetzten Ornamentteilen, darin jeweils fünf Diamantrosen in Chatonfassungen, zus. ca. 0,4 ct; Farbe und Reinheit im mittleren Bereich; punktuell konturiert von jeweils einem kleinen Rubin; daran angesetzte zwei Stränge aus Ösenkettengliedern; rundes Kastenschloss mit gefasstem Saphir-Katzenaugen-Cabochon; Maße der Miniatur: ca. 31,5 x 24,7 mm; Höhe: ca. 5,4 mm; Gesamtlänge: ca. 18,5 cm.
Rosé and yellow gold, stamped 585/- on the clasp tab; total weight: approx. 33 g; high-oval centrepiece featuring a set miniature in tempera, showing a man in a thinker’s pose in side profile, dated 1787; narrow, plain bezel border with two applied ornamental elements, each holding five rose-cut diamonds in chaton settings, totalling approx. 0.4 ct; colour and clarity in the mid range; flanked by one small ruby on each side; attached to two rows of circular chain links; round box clasp set with a sapphire cat’s eye cabochon; miniature dimensions: approx. 31.5 x 24.7 mm; height: approx. 5.4 mm; total length: approx. 18.5 cm.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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