Paar Ohrgehänge mit 2 farbigen Perlen (wohl Orientperlen) und Altschliff-Diamanten, 1. H. 20. Jh. und Clipmechanik, Ende 20. Jh.
Pair of ear pendants with 2 coloured pearls (probably natural pearls) and old-cut diamonds, first half of the 20th century, and clip fittings, late 20th century
585/- Weißgold; Gesamtgewicht: ca. 7 g; mehrfach beweglich gegliedert, gefasste Altschliff-Diamanten, zus. ca. 1,07 ct: 1.) Altschliff-Diamant: ca. 0,4 ct; Farbe: I-J; Reinheit: Piqué 1. 2.) Altschliff-Diamant: ca. 0,43 ct; Farbe: H-I; Reinheit: Piqué 1. 3.) Altschliff-Diamanten (Steg 1): zus. ca. 0,11 ct; Farbe: I-M; Reinheit: SI. 4.) Altschliff-Diamanten (Steg 2): zus. ca. 0,13 ct; Farbe: H-L; Reinheit: SI. Tropfenförmige Perlen (wohl Orientperlen) in creme- und goldfarben mit fein schimmerndem Lüster; Oberfläche mit punktuellen kleinen natürlichen Merkmalen; Maße je Perle: Länge: ca. 9,5 mm; Durchmesser: ca. 7,8 mm; Länge: ca. 9,4 mm; Durchmesser: ca. 7,8 mm; Gesamtlänge: ca. 37,2 mm; Clipmechanik, neuzeitlich.
585/- white gold; total weight: approx. 7 g; multiple articulated links set with old-cut diamonds, totalling approx. 1.07 ct: 1) old-cut diamond: approx. 0.4 ct; colour: I-J; clarity: piqué 1. 2) old-cut diamond: approx. 0.43 ct; colour: H-I; clarity: piqué 1. 3) old-cut diamonds (link 1): totalling approx. 0.11 ct; colour: I-M; clarity: SI. 4) old-cut diamonds (link 2): totalling approx. 0.13 ct; colour: H-L; clarity: SI. Drop-shaped pearls (probably natural) in cream and golden tones with fine shimmering lustre; surface with small natural pinpoint features; pearl measurements: length: approx. 9.5 mm; diameter: approx. 7.8 mm; length: approx. 9.4 mm; diameter: approx. 7.8 mm; total length: approx. 37.2 mm; modern clip fittings.
Colour lithograph on paper; “David with the harp” from 1956, from Chagall’s Bible series; depiction of King David holding a harp, his central attribute, in both hands, against a background reduced to atmospheric colour fields in red tones, accentuated in black and grey; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; with certificate from Galerie Hohmann, Hamburg; edition of 6500 unsigned copies; catalogue raisonné: Mourlot 134; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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Colour lithograph; “La forza del destino” from 1970; surrealist depiction of a stylised devil or demon struggling with a nude female figure before a setting sun, title handwritten lower left; colouristic concept; from the series “Hommage à Verdi”; lower left inscribed in pencil “Epreuve d’artiste”, titled in the centre and dated and signed lower right; under glass in a modern grey plastic frame; not opened; age-related signs of wear and a stain of approx. 3.5 cm at the upper edge of the sheet; plate dimensions: approx. 44 x 35.7 cm; frame dimensions: approx. 76 x 57 cm; weight: approx. 3.6 kg.
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Polychrome plate or stone lithograph on paper; “Salon des Cent” from 1896; poster in Art Nouveau style in complementary, muted colours; depiction of the silhouette of a lady whom the artist met during a crossing from Le Havre to Bordeaux, dressed in an elaborate gown with gloves and hat, seated in a deck chair on the ship, gazing out at the open sea where a ship passes by in the distance; the poster was printed for the exhibition at the ‘Salon des Cent’, which took place from October 1895 to March 1896, the dates are inscribed on the poster; stamped on the right side with the imprint of the printer Bourgerie et Cie in Paris and bearing the artist’s monogram lower right; white passepartout; modern black wooden frame with various marks and chips; glazed; not opened; age-related signs of wear; image cutout dimensions: approx. 58.5 x 39 cm; frame dimensions: approx. 79.5 x 58.5 cm; weight: approx. 3.3 kg.
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Set of two colour lithographs on paper; “4 Angels in Paradise” and “Salomon” from 1956 from from Chagall’s Bible series; combination of expressionism and surrealism; 1) depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accentuated in black; catalogue raisonné: Mourlot 121. 2) depiction of King Solomon as a monumental central figure in a blessing gesture, surrounded by angels, figurative and ornamental elements, biblical-like symbolism in violet and yellow tones, accentuated in black; catalogue raisonné: Mourlot 131; both in cream-coloured Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.88 kg.
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