Paar Ohrgehänge mit 2 farbigen Perlen (wohl Orientperlen) und Altschliff-Diamanten, 1. H. 20. Jh. und Clipmechanik, Ende 20. Jh.
Pair of ear pendants with 2 coloured pearls (probably natural pearls) and old-cut diamonds, first half of the 20th century, and clip fittings, late 20th century
585/- Weißgold; Gesamtgewicht: ca. 7 g; mehrfach beweglich gegliedert, gefasste Altschliff-Diamanten, zus. ca. 1,07 ct: 1.) Altschliff-Diamant: ca. 0,4 ct; Farbe: I-J; Reinheit: Piqué 1. 2.) Altschliff-Diamant: ca. 0,43 ct; Farbe: H-I; Reinheit: Piqué 1. 3.) Altschliff-Diamanten (Steg 1): zus. ca. 0,11 ct; Farbe: I-M; Reinheit: SI. 4.) Altschliff-Diamanten (Steg 2): zus. ca. 0,13 ct; Farbe: H-L; Reinheit: SI. Tropfenförmige Perlen (wohl Orientperlen) in creme- und goldfarben mit fein schimmerndem Lüster; Oberfläche mit punktuellen kleinen natürlichen Merkmalen; Maße je Perle: Länge: ca. 9,5 mm; Durchmesser: ca. 7,8 mm; Länge: ca. 9,4 mm; Durchmesser: ca. 7,8 mm; Gesamtlänge: ca. 37,2 mm; Clipmechanik, neuzeitlich.
585/- white gold; total weight: approx. 7 g; multiple articulated links set with old-cut diamonds, totalling approx. 1.07 ct: 1) old-cut diamond: approx. 0.4 ct; colour: I-J; clarity: piqué 1. 2) old-cut diamond: approx. 0.43 ct; colour: H-I; clarity: piqué 1. 3) old-cut diamonds (link 1): totalling approx. 0.11 ct; colour: I-M; clarity: SI. 4) old-cut diamonds (link 2): totalling approx. 0.13 ct; colour: H-L; clarity: SI. Drop-shaped pearls (probably natural) in cream and golden tones with fine shimmering lustre; surface with small natural pinpoint features; pearl measurements: length: approx. 9.5 mm; diameter: approx. 7.8 mm; length: approx. 9.4 mm; diameter: approx. 7.8 mm; total length: approx. 37.2 mm; modern clip fittings.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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