Prunkvolle Nadel mit 7 Rubinen und ca. 111 Altschliff-Diamanten, zus. ca. 5,38 ct (lt. Gravur), gestempelt Carl Ernst, aus verschiedenen Epochen
Magnificent pin with 7 rubies and approx. 111 old-cut diamonds, total approx. 5.38 ct (according to engraving), stamped Carl Ernst, from various eras
Platin; Gesamtgewicht: ca. 13,5 g; stilisierte Lyraform; ausgefasst mit 7 Rubinen in unterschiedlichen Farbvarietäten; Carat; Einschlussbildern und Schliffarten: 2 x in Rautenform 9,3 x 7 mm und 7,7 x 6,6 mm; 4 x Rundeform im Durchmesser ca. 9,2 mm, 8,7 mm, 6,7 mm und 6,5 mm; Oval 1 x 9,2 x 7,3 mm; umrahmt von 111 Diamanten in Pavé gefasst in verschiedenen Altschliffen geschliffen, zus. ca. 5,38 ct (lt. Gravur); Farbe: H-K; Reinheit: VS-Piqué 2; Maße der Nadel: 64 x 25,8 mm; rückseitig gestempelt: Carl Ernst; 2 Rubine mit punktuellen Bestoßungen, minimaler Facettenabrieb; Nadelstiel und am Garder zwei kleine Zinn-Restaurierungen; Rubine wohl später eingesetzt; vermutlich eine Marriage.
Platinum; total weight: approx. 13.5 g; stylised lyre form; set with 7 rubies in various colour varieties, carat, inclusion characteristics and cut types: 2 in lozenge shape 9.3 x 7 mm and 7.7 x 6.6 mm; 4 round shapes with diameters of approx. 9.2 mm, 8.7 mm, 6.7 mm and 6.5 mm; oval 1 x 9.2 x 7.3 mm; framed by 111 diamonds pavé-set in various old cuts, total approx. 5.38 ct (according to engraving); colour: H-K; clarity: VS-Piqué 2; dimensions of the pin: 64 x 25.8 mm; stamped on the reverse: Carl Ernst; 2 rubies with punctual bruising, minimal facet wear; pin stem and at the Garder two small tin restorations; rubies likely added later; presumably a marriage.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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