Prunkvolle Nadel mit 7 Rubinen und ca. 111 Altschliff-Diamanten, zus. ca. 5,38 ct (lt. Gravur), gestempelt Carl Ernst, aus verschiedenen Epochen
Magnificent pin with 7 rubies and approx. 111 old-cut diamonds, total approx. 5.38 ct (according to engraving), stamped Carl Ernst, from various eras
Platin; Gesamtgewicht: ca. 13,5 g; stilisierte Lyraform; ausgefasst mit 7 Rubinen in unterschiedlichen Farbvarietäten; Carat; Einschlussbildern und Schliffarten: 2 x in Rautenform 9,3 x 7 mm und 7,7 x 6,6 mm; 4 x Rundeform im Durchmesser ca. 9,2 mm, 8,7 mm, 6,7 mm und 6,5 mm; Oval 1 x 9,2 x 7,3 mm; umrahmt von 111 Diamanten in Pavé gefasst in verschiedenen Altschliffen geschliffen, zus. ca. 5,38 ct (lt. Gravur); Farbe: H-K; Reinheit: VS-Piqué 2; Maße der Nadel: 64 x 25,8 mm; rückseitig gestempelt: Carl Ernst; 2 Rubine mit punktuellen Bestoßungen, minimaler Facettenabrieb; Nadelstiel und am Garder zwei kleine Zinn-Restaurierungen; Rubine wohl später eingesetzt; vermutlich eine Marriage.
Platinum; total weight: approx. 13.5 g; stylised lyre form; set with 7 rubies in various colour varieties, carat, inclusion characteristics and cut types: 2 in lozenge shape 9.3 x 7 mm and 7.7 x 6.6 mm; 4 round shapes with diameters of approx. 9.2 mm, 8.7 mm, 6.7 mm and 6.5 mm; oval 1 x 9.2 x 7.3 mm; framed by 111 diamonds pavé-set in various old cuts, total approx. 5.38 ct (according to engraving); colour: H-K; clarity: VS-Piqué 2; dimensions of the pin: 64 x 25.8 mm; stamped on the reverse: Carl Ernst; 2 rubies with punctual bruising, minimal facet wear; pin stem and at the Garder two small tin restorations; rubies likely added later; presumably a marriage.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
Shipping exclusively by forwarding agent or at the buyer’s risk.