Los Nr. 272
3 verschiedene silberne Schminketuis, 20. Jahrhundert
Three different silver vanity cases, 20th century

Verschiedene Silberlegierungen; Gesamtgewicht: ca. 360 g; 3-teiliges Konvolut silberner aufklappbarer Schminketuis bzw. Taschenspiegel bestehend aus: 1) Großes Etui in runder Form mit verschiedenen rillierten geometrischen Formen, innen mit Metalleinsatz und nicht befestigtem rundem Spiegel, gestempelt auf ellipsenförmiger Daumenrast mit verschlagenem Feingehaltsstempel (vermutlich 900) und ungedeuteten Marken; Durchmesser: ca. 10,1 cm. 2) Taschenspiegel in quadratischer Form mit guillochiertem und floralem Gravurdekor auf der Schauseite und rilliertem Dekor auf der Unterseite, schmaler Daumendrücker; am inneren Deckelrand mit Feingehaltsstempel 835 versehen; Maße: ca. 7,4 x 7,4 cm. 3) Taschenspiegel in quadratischer Form mit guillochiertem und floralem Gravurdekor auf der Schauseite und rilliertem Dekor auf der Unterseite, breite Daumenrast; innen gestempelt mit Feingehaltsstempel 900 sowie ungedeuteten Marken; Maße: ca. 6,8 x 6,8 cm. Spiegel teilweise blind, alle Etuis mit altersbedingten Gebrauchsspuren und Oxidationsrückständen.

Various silver alloys; total weight: approx. 360 g; three-piece group of silver hinged vanity cases and pocket mirrors comprising: 1) Large round case with various reeded geometric patterns, interior with metal insert and unsecured round mirror, stamped to the elliptical thumb rest with a struck fineness mark (probably 900) and unidentified marks; diameter: approx. 10.1 cm. 2) Square pocket mirror with guilloché and floral engraved decoration to the front and reeded decoration to the reverse, narrow thumb press; inner rim of the lid stamped with fineness mark 835; dimensions: approx. 7.4 x 7.4 cm. 3) Square pocket mirror with guilloché and floral engraved decoration to the front and reeded decoration to the reverse, broad thumb rest; interior stamped with fineness mark 900 and unidentified marks; dimensions: approx. 6.8 x 6.8 cm. Mirrors partly cloudy; all cases with age-related signs of wear and oxidation residues.

Limit: 90,00 

Eine Auswahl unserer aktuellen Lose:

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  • Los Nr. 300 Anton, Werner (1902 – ca. 1975)

    Los Nr. 300
    Anton, Werner (1902 – ca. 1975)

    Oil on painting board; “Sylt-Lister lighthouse” from 1958 and without title; abstract landscape painting; 1) depiction of the Lister lighthouse on the Sylter peninsula known as “Ellenbogen,” next to a coastal section with sandy beach and behind greened dunes under a lightly clouded sky; incised signature and designation lower right; several superficial grooves and discolorations. 2) depiction of a beach section in Rantum with dune landscape in the background and surf in the foreground under a blue sky; incised signature and designation lower left; superficial soiling. Both not opened; both in narrow, silver-coloured wooden frames with pearl-bead décor; verso with adhesive labels and numbering or data relating to the painting; image dimensions: approx. 45 x 60.5 cm and approx. 50 x 59.5 cm; frame dimensions: approx. 55.5 x 65 cm and approx. 50 x 66 cm; weight: approx. 3 kg.

    80,00 
  • Los Nr. 299 Anton, Werner (1902 – ca. 1975)

    Los Nr. 299
    Anton, Werner (1902 – ca. 1975)

    Oil on card; “Sylt-Haus in Rantum” from 1956; abstract landscape painting; depiction of a fenced, thatched farmhouse situated within a green field landscape before a coastal shoreline under a cloudy sky with staffage figures; impasto paint application; incised signature and inscription lower left; superficial discolorations and isolated soiling as well as age-related signs of wear; silver-iridescent wooden frame; not opened; verso three adhesive labels with inventory number, title, artist’s name, measurements, one of them from Kunsthaus Schaller, Stuttgart; painting dimensions: approx. 42 x 58.5 cm; frame dimensions: approx. 46.5 x 62.5 cm; weight: approx. 1.4 kg.

    60,00 
  • Los Nr. 298 Antiker Pokal, wohl Frankreich, um 1800

    Los Nr. 298
    Antiker Pokal, wohl Frankreich, um 1800

    Crystal glass and gold-coloured brass bronze; cup with ovoid body, waisted stem and round foot transitioning into a square plinth, with encircling cut decoration in various ornamental patterns; stepped plinth and rim with handles on both sides in diverse ornamental and floral designs made of brass bronze; removable lid with finial in floral and festoon decoration, made of brass bronze; brass mounts to the body removable; underside of the plinth restored over approx. 5.5 cm; age-related signs of wear; height: approx. 23.3 cm; weight: approx. 1.2 kg.

    140,00 
  • Los Nr. 297 Kristallvase „Dampierre“, nach Entwurf von Marc Lalique aus 1948, Lalique, Paris, Frankreich, 20. Jh.

    Los Nr. 297
    Kristallvase „Dampierre“, nach Entwurf von Marc Lalique aus 1948, Lalique, Paris, Frankreich, 20. Jh.

    Clear polished and satin-finished crystal; chalice-shaped body with flared rim on a circular foot; the central body encircled by a carved decoration of frosted swallows between columns of ivy; indistinct etched signature to the underside, probably “Lalique France”; restoration to the rim of approx. 4 cm and a chip of approx. 4 mm; age-related signs of wear; height: approx. 12.2 cm; weight: approx. 1.12 kg.

    180,00 

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