3 verschiedene silberne Schminketuis, 20. Jahrhundert
Three different silver vanity cases, 20th century
Verschiedene Silberlegierungen; Gesamtgewicht: ca. 360 g; 3-teiliges Konvolut silberner aufklappbarer Schminketuis bzw. Taschenspiegel bestehend aus: 1) Großes Etui in runder Form mit verschiedenen rillierten geometrischen Formen, innen mit Metalleinsatz und nicht befestigtem rundem Spiegel, gestempelt auf ellipsenförmiger Daumenrast mit verschlagenem Feingehaltsstempel (vermutlich 900) und ungedeuteten Marken; Durchmesser: ca. 10,1 cm. 2) Taschenspiegel in quadratischer Form mit guillochiertem und floralem Gravurdekor auf der Schauseite und rilliertem Dekor auf der Unterseite, schmaler Daumendrücker; am inneren Deckelrand mit Feingehaltsstempel 835 versehen; Maße: ca. 7,4 x 7,4 cm. 3) Taschenspiegel in quadratischer Form mit guillochiertem und floralem Gravurdekor auf der Schauseite und rilliertem Dekor auf der Unterseite, breite Daumenrast; innen gestempelt mit Feingehaltsstempel 900 sowie ungedeuteten Marken; Maße: ca. 6,8 x 6,8 cm. Spiegel teilweise blind, alle Etuis mit altersbedingten Gebrauchsspuren und Oxidationsrückständen.
Various silver alloys; total weight: approx. 360 g; three-piece group of silver hinged vanity cases and pocket mirrors comprising: 1) Large round case with various reeded geometric patterns, interior with metal insert and unsecured round mirror, stamped to the elliptical thumb rest with a struck fineness mark (probably 900) and unidentified marks; diameter: approx. 10.1 cm. 2) Square pocket mirror with guilloché and floral engraved decoration to the front and reeded decoration to the reverse, narrow thumb press; inner rim of the lid stamped with fineness mark 835; dimensions: approx. 7.4 x 7.4 cm. 3) Square pocket mirror with guilloché and floral engraved decoration to the front and reeded decoration to the reverse, broad thumb rest; interior stamped with fineness mark 900 and unidentified marks; dimensions: approx. 6.8 x 6.8 cm. Mirrors partly cloudy; all cases with age-related signs of wear and oxidation residues.
Oil on panel; landscape painting; depiction of a shepherd standing within the archway of an aqueduct ruin before an expansive mountainous landscape, gazing at his livestock in the foreground, which are watering and resting by a body of water; in the style of Nicolaes Berchem; lower left illegibly signed “ABeyeyn(?)”, with restoration traces in the signature area; age-related surface discolouration and visible wood grain; wide, profiled dark brown wooden frame with gilt accents; not opened; reverse stamped by the framer; image dimensions: approx. 36 x 32.5 cm; frame dimensions: approx. 47 x 43 cm; total weight: approx. 1.9 kg.
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Oil on canvas; marine painting with a valeuristic colour concept; view from a shoreline across waters navigated by steamships and sailing boats, set before a rocky coastal landscape under a cloudy sky; signed lower right; loss of approx. 4 mm to the canvas; localised soiling and discolouration, with fine craquelure in places; ornate profiled wooden frame with carved ornamental and floral decoration, showing some losses and fine cracks; the frame bears a metal plaque inscribed “Prof. Schnars-Alpuist”; not opened; reverse with old adhesive labels on stretcher and frame providing information on the framer and the painting, as well as various numbers and annotations; image dimensions: approx. 30.5 x 61 cm; frame dimensions: approx. 51 x 80 cm; total weight: approx. 6.4 kg.
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Oil on card; abstract genre painting with a triadic colour concept; depiction of a Moroccan street scene with rows of houses and figures carrying baskets walking through an alley between seated people with their goods under a light-blue sky; signed lower right; superficial discolorations and minimal signs of wear; curved brown wooden frame with golden edging; verso repeatedly numbered and inscribed “Strasse von Tanger”; newly framed; not opened; painting dimensions: approx. 44 x 58.5 cm; frame dimensions: approx. 50.5 x 65.5 cm; weight: approx. 2.4 kg.
Oil on canvas; industrial painting in muted colours; depiction of a large industrial complex with blast furnaces, smoking chimneys and industrial buildings in front of works railway tracks with several tipper wagons; signed lower right and inscribed “Mchn.”; minimal superficial discoloration; double-stepped wooden frame in marbled gold and white tones; not opened; image dimensions: approx. 80.5 x 80.5 cm; frame dimensions: approx. 95 x 95 cm; weight: approx. 3 kg.