Henkelkaraffe mit Silbermontierung im Jugendstil, Deutschland, um 1900
Handled decanter with silver mount in the Art Nouveau style, Germany, circa 1900
800/- Silber und farbloses geschliffenes Glas; Gesamtgewicht: ca. 1191 g; Karaffe mit vierpassigem, birnenförmigem Korpus, vertikal ornamental geschliffen auf quadratischem Fuß mit eckigem Henkel, Schnabelausguss, Scharnierdeckel mit Mündung und kugelförmigem Daumendrücker aus Silber; auf dem Deckel graviert „H.Y.C. Alster 25.7.1909“; am Deckel seitlich gestempelt mit Halbmond und Krone, verschlagener, ungedeuteter Meistermarke, Modellnummer und Feingehaltsstempel; Lötrückstände auf Deckelmitte, punktuelle eingeschlossene Fremdkörper im Glas, Kerbe im Glas über ca. 1 cm, starke Oxidationsspuren, Abrieb am Stand; Höhe: ca. 31 cm.
800/- silver and colourless cut glass; total weight: approx. 1191 g; decanter with quatrefoil, pear-shaped body, vertically ornamentally cut, on a square base with angular handle, spout, hinged lid with mouth and spherical thumbpiece in silver; lid engraved “H.Y.C. Alster 25.7.1909”; on the side of the lid stamped with crescent and crown, a partially struck unidentified maker’s mark, model number and fineness mark; solder residues on the centre of the lid, isolated enclosed foreign inclusions in the glass, chip in the glass measuring approx. 1 cm, heavy oxidation traces, wear to the base; height: approx. 31 cm.
Colour lithograph on paper; “Angels in Paradise” from 1956, from Chagall’s Bible series; combination of expressionism and surrealism; depiction of three dynamically arranged angelic figures, surrounded by organic forms and flowing transitions in delicate violet, yellow and red tones, accented in black; catalogue raisonné: Mourlot 121; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 1.4 kg.
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Colour lithograph on paper; “Rachel Steals Her Father’s Household Gods” from 1960, from Chagall’s Bible series; combination of expressionism and surrealism in ochre, blue and orange tones, accented in black; depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, flowing transitions and a figure; catalogue raisonné: Mourlot 242; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; weight: approx. 1.45 kg.
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Colour lithograph on paper; “Ruth the Gleaner” from 1960, from Chagall’s Bible series; combination of expressionism and surrealism in ochre, blue and orange tones, accented in black; depiction of the biblical figure Ruth during the gleaning in a rural-archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246; mounted in a cream-coloured Passepartout with linen texture, behind glass, in a narrow, profiled, gold-coloured frame, unopened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; weight: approx. 1.45 kg.
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Oil on board; impressionist landscape painting; depiction of a group of houses situated along a riverbank with a large monument in the background, presumably Montmartre, viewed from a body of water under a cloudy sky, navigated by several small boats; signed lower left; various superficial discolorations as well as a frame imprint along the right side of the image; wide black wooden frame with gilt ornamental decoration; not opened; on the reverse the painting is unprofessionally affixed to the frame with transparent adhesive tape; on the reverse a large water stain at the upper right, approx. 14.5 x 18 cm; image dimensions: approx. 37.1 x 49.3 cm; frame dimensions: approx. 48.3 x 59.4 cm; weight: approx. 1.7 kg.
Shipping exclusively via forwarding agent or at the buyer’s risk.