Henkelkaraffe mit Silbermontierung im Jugendstil, Deutschland, um 1900
Handled decanter with silver mount in the Art Nouveau style, Germany, circa 1900
800/- Silber und farbloses geschliffenes Glas; Gesamtgewicht: ca. 1191 g; Karaffe mit vierpassigem, birnenförmigem Korpus, vertikal ornamental geschliffen auf quadratischem Fuß mit eckigem Henkel, Schnabelausguss, Scharnierdeckel mit Mündung und kugelförmigem Daumendrücker aus Silber; auf dem Deckel graviert „H.Y.C. Alster 25.7.1909“; am Deckel seitlich gestempelt mit Halbmond und Krone, verschlagener, ungedeuteter Meistermarke, Modellnummer und Feingehaltsstempel; Lötrückstände auf Deckelmitte, punktuelle eingeschlossene Fremdkörper im Glas, Kerbe im Glas über ca. 1 cm, starke Oxidationsspuren, Abrieb am Stand; Höhe: ca. 31 cm.
800/- silver and colourless cut glass; total weight: approx. 1191 g; decanter with quatrefoil, pear-shaped body, vertically ornamentally cut, on a square base with angular handle, spout, hinged lid with mouth and spherical thumbpiece in silver; lid engraved “H.Y.C. Alster 25.7.1909”; on the side of the lid stamped with crescent and crown, a partially struck unidentified maker’s mark, model number and fineness mark; solder residues on the centre of the lid, isolated enclosed foreign inclusions in the glass, chip in the glass measuring approx. 1 cm, heavy oxidation traces, wear to the base; height: approx. 31 cm.
Oil on panel; landscape painting; depiction of a shepherd standing within the archway of an aqueduct ruin before an expansive mountainous landscape, gazing at his livestock in the foreground, which are watering and resting by a body of water; in the style of Nicolaes Berchem; lower left illegibly signed “ABeyeyn(?)”, with restoration traces in the signature area; age-related surface discolouration and visible wood grain; wide, profiled dark brown wooden frame with gilt accents; not opened; reverse stamped by the framer; image dimensions: approx. 36 x 32.5 cm; frame dimensions: approx. 47 x 43 cm; total weight: approx. 1.9 kg.
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Oil on canvas; marine painting with a valeuristic colour concept; view from a shoreline across waters navigated by steamships and sailing boats, set before a rocky coastal landscape under a cloudy sky; signed lower right; loss of approx. 4 mm to the canvas; localised soiling and discolouration, with fine craquelure in places; ornate profiled wooden frame with carved ornamental and floral decoration, showing some losses and fine cracks; the frame bears a metal plaque inscribed “Prof. Schnars-Alpuist”; not opened; reverse with old adhesive labels on stretcher and frame providing information on the framer and the painting, as well as various numbers and annotations; image dimensions: approx. 30.5 x 61 cm; frame dimensions: approx. 51 x 80 cm; total weight: approx. 6.4 kg.
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Oil on card; abstract genre painting with a triadic colour concept; depiction of a Moroccan street scene with rows of houses and figures carrying baskets walking through an alley between seated people with their goods under a light-blue sky; signed lower right; superficial discolorations and minimal signs of wear; curved brown wooden frame with golden edging; verso repeatedly numbered and inscribed “Strasse von Tanger”; newly framed; not opened; painting dimensions: approx. 44 x 58.5 cm; frame dimensions: approx. 50.5 x 65.5 cm; weight: approx. 2.4 kg.
Oil on canvas; industrial painting in muted colours; depiction of a large industrial complex with blast furnaces, smoking chimneys and industrial buildings in front of works railway tracks with several tipper wagons; signed lower right and inscribed “Mchn.”; minimal superficial discoloration; double-stepped wooden frame in marbled gold and white tones; not opened; image dimensions: approx. 80.5 x 80.5 cm; frame dimensions: approx. 95 x 95 cm; weight: approx. 3 kg.