Silberner Rahmgießer und kleine Vase, u.a. Frederick Augustus Burridge, London, England, um 1900
Silver cream jug and small vase, incl. Frederick Augustus Burridge, London, England, c. 1900
925/- und 750/- Silber; Gesamtgewicht: ca. 210 g; 1) silberner Rahmgießer mit birnenförmigem Korpus mit feiner Ziselierung, auf dreifach getrepptem Rundfuß, seitlich angesetztem großem Ohrenhenkel, eingezogenem Hals und breitem Ausguss, innen Restvergoldung; am Fuß mit Feingehaltsstempel versehen; Höhe: ca. 15,5 cm. 2) kleine Vase mit kugeligem Korpus und eingezogenem Schaft auf Rundfuß mit kronenförmigem, ausgestelltem Rand, umlaufendes florales und ornamentales Prägedekor; seitlich an der Wandung gestempelt mit Lion Passant, Stadtmarke, Herstellerpunze und Jahresbuchstabe 1901; Kerben von je ca. 5 mm am Korpus und am Stand; Höhe: ca. 11,2 cm. Beide Teile mit altersbedingten Gebrauchsspuren.
925/- and 750/- silver; total weight: ca. 210 g; 1) silver cream jug with pear-shaped body with fine chasing, on triple-stepped circular foot, large ear-shaped side handle, tapered neck and wide spout, interior with remaining gilding; foot stamped with fineness mark; height: ca. 15.5 cm. 2) small vase with globular body and tapered shaft on circular foot with crown-shaped, flared rim, circumferential floral and ornamental embossed decoration; side of the wall stamped with lion passant, city mark, maker’s mark and date letter 1901; nicks of ca. 5 mm each on the body and foot; height: ca. 11.2 cm. Both pieces with age-related signs of wear.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
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