Silberner Rahmgießer und kleine Vase, u.a. Frederick Augustus Burridge, London, England, um 1900
Silver cream jug and small vase, incl. Frederick Augustus Burridge, London, England, c. 1900
925/- und 750/- Silber; Gesamtgewicht: ca. 210 g; 1) silberner Rahmgießer mit birnenförmigem Korpus mit feiner Ziselierung, auf dreifach getrepptem Rundfuß, seitlich angesetztem großem Ohrenhenkel, eingezogenem Hals und breitem Ausguss, innen Restvergoldung; am Fuß mit Feingehaltsstempel versehen; Höhe: ca. 15,5 cm. 2) kleine Vase mit kugeligem Korpus und eingezogenem Schaft auf Rundfuß mit kronenförmigem, ausgestelltem Rand, umlaufendes florales und ornamentales Prägedekor; seitlich an der Wandung gestempelt mit Lion Passant, Stadtmarke, Herstellerpunze und Jahresbuchstabe 1901; Kerben von je ca. 5 mm am Korpus und am Stand; Höhe: ca. 11,2 cm. Beide Teile mit altersbedingten Gebrauchsspuren.
925/- and 750/- silver; total weight: ca. 210 g; 1) silver cream jug with pear-shaped body with fine chasing, on triple-stepped circular foot, large ear-shaped side handle, tapered neck and wide spout, interior with remaining gilding; foot stamped with fineness mark; height: ca. 15.5 cm. 2) small vase with globular body and tapered shaft on circular foot with crown-shaped, flared rim, circumferential floral and ornamental embossed decoration; side of the wall stamped with lion passant, city mark, maker’s mark and date letter 1901; nicks of ca. 5 mm each on the body and foot; height: ca. 11.2 cm. Both pieces with age-related signs of wear.
Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
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Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
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Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.
Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
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