Konvolut Füllfederhalter, Montblanc, Hamburg und Waterman, Paris, 2. Hälfte 20. Jahrhundert
Konvolut Füllfederhalter, Montblanc, Hamburg und Waterman, Paris, 2. Hälfte 20. Jahrhundert
3-teiliges Konvolut Füllfederhalter bestehend aus: 1) Kolbenfüller von Montblanc aus der Meisterstück-Serie 140 (Exportmodell) aus schwarzem Edelharz bzw. frühem Celluloid mit vergoldeten Beschlägen und 585/- Goldfeder; Nummerierung am Drehverschluss und abnehmbare Kappe mit Gravur „Montblanc Masterpiece“ sowie cremefarbenem Logo auf der Kappenspitze; auf der Feder Gravur „4810“ und „M“; Länge: ca. 13,5 cm. 2) Zwei Füllfederhalter von Waterman, Paris, aus schwarzem Harz mit vergoldeten Zierelementen und Clips, abnehmbarer Kappe mit Logos und Firmenname geprägt; Länge: ca. 13,5 cm und 13,8 cm. Alle drei Füller mit altersbedingten Gebrauchsspuren und Mikrokratzern; Gesamtgewicht: ca. 70 g.
Set of fountain pens, Montblanc, Hamburg and Waterman, Paris, second half of the 20th century
Three-piece set of fountain pens comprising: 1) piston filler by Montblanc from the Meisterstück series 140 (export model) made of black precious resin or early celluloid with gilt fittings and 585/- gold nib; numbered at the turning knob and with a detachable cap engraved “Montblanc Masterpiece” and cream-coloured logo on the cap top; nib engraved “4810” and “M”; length: approx. 13.5 cm. 2) Two fountain pens by Waterman, Paris, made of black resin with gilt decorative elements and clips, detachable cap with embossed logos and company name; lengths: approx. 13.5 cm and 13.8 cm. All three pens with age-related signs of wear and micro-scratches; total weight: approx. 70 g.
Watercolour on paper; landscape painting in muted local colours; depiction of a pond in the foreground, surrounded by a green meadow, bushes and trees in the middle ground and a flat landscape under a slightly cloudy sky; signed lower left; minor discolouration at the right edge of the sheet; white Passepartout; under glass; narrow gilt wooden frame; not opened; image section dimensions: approx. 22 x 29.2 cm; frame dimensions: approx. 35.5 x 43 cm; weight: approx. 1.2 kg.
Oil on artist’s board; seascape in reflex colours; depiction of a rough sea with foaming spray under a cloudy sky, a small flock of seagulls on the left at the horizon; opaque application of paint; indistinct signature lower right “k. L(B?)erllin”; superficial soiling and yellowing; reverse inscribed in pencil Bochum, numbered and with adhesive label; not opened; wide curved silver wooden frame with various losses and cracks; painting dimensions: approx. 20 x 26 cm; frame dimensions: approx. 36.5 x 42.8 cm; weight: approx. 2.52 kg.
Oil on artist’s board; marine painting; depiction of a boat run aground on sand with paddle and ropes in the sand in the foreground, with calm sea and a sailing boat on the horizon in the background; signed lower left “E. Reaßer” (?); presumably varnished; narrow silver-iridescent wooden frame; not opened; image section dimensions: approx. 27.4 x 40.5 cm; frame dimensions: approx. 32.3 x 45.2 cm; weight: approx. 680 g.
Oil on canvas, relined; neoclassical landscape painting; panoramic view of the city of Prague with the Vltava River in the foreground, beside it the Charles Bridge merging into a row of houses in front of a large castle complex on a hill under a cloudy sky in the background; signed lower left, inscribed “Vienna” and dated 1873(?); age-related surface discolourations, restoration traces of approx. 1 cm, and fine craquelure; gilded elaborately carved wooden frame with defects; not opened; painting dimensions: approx. 52.5 x 100 cm; frame dimensions: approx. 67.5 x 115 cm; weight: approx. 5.3 kg.
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