Los Nr. 403
Konvolut Füllfederhalter, Montblanc, Hamburg und Waterman, Paris, 2. Hälfte 20. Jahrhundert

Konvolut Füllfederhalter, Montblanc, Hamburg und Waterman, Paris, 2. Hälfte 20. Jahrhundert 3-teiliges Konvolut Füllfederhalter bestehend aus: 1) Kolbenfüller von Montblanc aus der Meisterstück-Serie 140 (Exportmodell) aus schwarzem Edelharz bzw. frühem Celluloid mit vergoldeten Beschlägen und 585/- Goldfeder; Nummerierung am Drehverschluss und abnehmbare Kappe mit Gravur „Montblanc Masterpiece“ sowie cremefarbenem Logo auf der Kappenspitze; auf der Feder Gravur „4810“ und „M“; Länge: ca. 13,5 cm. 2) Zwei Füllfederhalter von Waterman, Paris, aus schwarzem Harz mit vergoldeten Zierelementen und Clips, abnehmbarer Kappe mit Logos und Firmenname geprägt; Länge: ca. 13,5 cm und 13,8 cm. Alle drei Füller mit altersbedingten Gebrauchsspuren und Mikrokratzern; Gesamtgewicht: ca. 70 g.

Set of fountain pens, Montblanc, Hamburg and Waterman, Paris, second half of the 20th century Three-piece set of fountain pens comprising: 1) piston filler by Montblanc from the Meisterstück series 140 (export model) made of black precious resin or early celluloid with gilt fittings and 585/- gold nib; numbered at the turning knob and with a detachable cap engraved “Montblanc Masterpiece” and cream-coloured logo on the cap top; nib engraved “4810” and “M”; length: approx. 13.5 cm. 2) Two fountain pens by Waterman, Paris, made of black resin with gilt decorative elements and clips, detachable cap with embossed logos and company name; lengths: approx. 13.5 cm and 13.8 cm. All three pens with age-related signs of wear and micro-scratches; total weight: approx. 70 g.

Limit: 80,00 

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  • Los Nr. 361 Chagall, Marc (1887–1985)

    Los Nr. 361
    Chagall, Marc (1887–1985)

    Pair of color lithographs on paper; “Ruth Gleaning” and “Rachel Steals the Idols of Her Father” from 1960, from Chagall’s Bible series; combination of Expressionism and Surrealism in ochre, blue, and orange tones, accented with black. 1) Depiction of the biblical figure Ruth gleaning ears of corn in a rustic, archaic setting, surrounded by vegetal suggestions and a figure; catalogue raisonné: Mourlot 246. 2) Depiction of Rachel in a narrative scene from the Old Testament, surrounded by animal forms, fluid transitions, and a figure; catalogue raisonné: Mourlot 242. Both in cream-colored Passepartout with linen structure, under glass, in narrow profiled gilt frames, not opened; image section dimensions: approx. 43.7 x 25.3 cm; frame dimensions: approx. 52.2 x 41.8 cm; total weight: approx. 2.9 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    330,00 
  • Los Nr. 357 Waldegg, Franz (1888 – 1966)

    Los Nr. 357
    Waldegg, Franz (1888 – 1966)

    Oil on canvas; realistic landscape painting in appearance colours; depiction of a coastal section with rough sea, seagulls flying above, in the foreground to the left framed by a chain of rocks under a delicate light blue sky with slight cloud cover obscuring the sun; fine craquelure; surface soiling as well as some restoration traces and one paint loss; signed lower right; stepped gilt wooden frame with age-related signs of wear; not opened; painting dimensions: approx. 50.8 x 70.5 cm; frame dimensions: approx. 62.3 x 80.5 cm; total weight: approx. 3.1 kg.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    160,00 
  • Los Nr. 358 Wohlers, Horst (*1935)

    Los Nr. 358
    Wohlers, Horst (*1935)

    Oil on wood; abstract impressionism; abstract polychrome strokes with visible ductus in a partially complementary colour concept; black shadow gap frame made of wood; not opened; signed on the reverse, dated 1963 and numbered “No. 75”; micro paint flaking on the edges of the frame and the painting; painting dimensions: approx. 24 x 31.5 cm; frame dimensions: approx. 28.4 x 36.4 cm; weight: approx. 1.88 kg.

    120,00 
  • Los Nr. 359 Wriggers, Adolf H. (1896 – 1984)

    Los Nr. 359
    Wriggers, Adolf H. (1896 – 1984)

    Oil on canvas; impressionist landscape painting with post-impressionist stroke technique; depiction of a greened flat field with small huts, hay bales and trees in strong contrast to the industrial silhouette in grey tones lining the horizon; signed and dated lower left (19)23 (or possibly 33?); presumably varnished; age-related signs of wear; reverse with foxing and adhesive label; painting dimensions: approx. 55.5 x 62.4 cm; weight: approx. 850 g.
    Shipping exclusively by forwarding agent or at the buyer’s risk.

    160,00 

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