3 Kaffeegedecke mit Portraitmalerei (u.a. nach Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, um 1900
3 coffee sets with portrait painting (among others after Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, c. 1900
Weißporzellan mit feiner polychromer Portraitmalerei im Spiegel der Teller mit reichhaltiger Goldstaffage und floraler Reliefgoldmalerei auf farbigem Fonds (dieser Rot, irisierend Purpurrot und Grün); Konvolut bestehend aus: 3 Tellern (D: ca. 19,2 cm), bezeichnet im Boden „Marie Antoinette.(Lebrun)“, „Lampale“ und „Kind v. Vogel.Dresdner Galerie“ (nach einem Gemälde von Christian Leberecht Vogel), 3 Untertassen (D: ca. 14 cm) und 3 Kaffeetassen (H: ca. 5,5 cm); die Kaffeetassen ebenfalls mit kleinen feinen korrespondierenden Portraits in goldumrahmten Kartuschen mit Füllhorn und Floralmotiven und im Boden mit Motivbezeichnung; guter Zustand mit leichten altersbedingten Gebrauchsspuren (feine Kratzerchen, eine Untertasse mit kleiner Bestoßung unterseitig); ursprüngliche Porzellanmarken übermalt mit der goldenen Rose von Lamm und bis auf einen Teller jeweils mit der typischen blauen Lamm-Marke mit Lamm, Schriftzug „Dresden“ und verschiedenen Nummern; Gesamtgewicht: ca. 1,2 kg.
White porcelain with fine polychrome portrait painting in the wells of the plates, with rich gilt decoration and floral raised gilding on coloured ground (red, iridescent purplish red and green); ensemble consisting of: 3 plates (D: approx. 19.2 cm), inscribed on the base “Marie Antoinette (Lebrun)”, “Lampale” and “Child by Vogel. Dresden Gallery” (after a painting by Christian Leberecht Vogel), 3 saucers (D: approx. 14 cm) and 3 coffee cups (H: approx. 5.5 cm); the coffee cups also with small fine corresponding portraits in gold-framed cartouches with cornucopia and floral motifs and with inscriptions of the subjects on the base; good condition with slight age-related signs of wear (fine scratches, one saucer with a small chip on the underside); original porcelain marks overpainted with the golden rose of Lamm and, except for one plate, each with the typical blue Lamm mark with lamb, inscription “Dresden” and various numbers; total weight: approx. 1.2 kg.
Gilded brass bronze; total weight: approx. 618 g; divided into three segments; densely decorated with relief and applied floral and ornamental motifs; outlined with green and azure-blue enamel; set in places with green and red glass flux stones and metal hemispheres; dimensions: approx. 20.5 x 14 cm; age-related signs of wear.
Brown-patinated bronze; depiction of a bridled donkey and a horse pulling a sleigh loaded with tree trunks; mounted on a dark rectangular marble plinth; signed “Martin” on the plinth; several loose screws and tensions to the plough; surface slightly rubbed; overall dimensions: approx. 14.5 x 31.5 x 12.3 cm; weight: approx. 4101 g.
Bronze, brown patinated; “Unicorn” from 1992; figurative letter opener, also called “Yvel object”, with handle in the shape of a unicorn and long spike; inscribed on the spike “Yvel 92”, numbered “14/100” and with artist’s stamp; age-related signs of wear, casting flaw at the joint between handle and spike, tip of the spike slightly bent; length: approx. 26.8 cm.
Erzgebirge woodcarving by the region’s most traditional and renowned manufacturer; depiction of an angel at a finely crafted organ (without musical movement); the playing angel and the two crowning angels are removable (plug-in); the two candles are movable; the organ fits the upper level of both the 4-tiered and 6-tiered “Engelberg” arrangement; very good condition with minimal age-related signs of wear; height: approx. 15 cm; weight: approx. 260 g.