3 Kaffeegedecke mit Portraitmalerei (u.a. nach Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, um 1900
3 coffee sets with portrait painting (among others after Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, c. 1900
Weißporzellan mit feiner polychromer Portraitmalerei im Spiegel der Teller mit reichhaltiger Goldstaffage und floraler Reliefgoldmalerei auf farbigem Fonds (dieser Rot, irisierend Purpurrot und Grün); Konvolut bestehend aus: 3 Tellern (D: ca. 19,2 cm), bezeichnet im Boden „Marie Antoinette.(Lebrun)“, „Lampale“ und „Kind v. Vogel.Dresdner Galerie“ (nach einem Gemälde von Christian Leberecht Vogel), 3 Untertassen (D: ca. 14 cm) und 3 Kaffeetassen (H: ca. 5,5 cm); die Kaffeetassen ebenfalls mit kleinen feinen korrespondierenden Portraits in goldumrahmten Kartuschen mit Füllhorn und Floralmotiven und im Boden mit Motivbezeichnung; guter Zustand mit leichten altersbedingten Gebrauchsspuren (feine Kratzerchen, eine Untertasse mit kleiner Bestoßung unterseitig); ursprüngliche Porzellanmarken übermalt mit der goldenen Rose von Lamm und bis auf einen Teller jeweils mit der typischen blauen Lamm-Marke mit Lamm, Schriftzug „Dresden“ und verschiedenen Nummern; Gesamtgewicht: ca. 1,2 kg.
White porcelain with fine polychrome portrait painting in the wells of the plates, with rich gilt decoration and floral raised gilding on coloured ground (red, iridescent purplish red and green); ensemble consisting of: 3 plates (D: approx. 19.2 cm), inscribed on the base “Marie Antoinette (Lebrun)”, “Lampale” and “Child by Vogel. Dresden Gallery” (after a painting by Christian Leberecht Vogel), 3 saucers (D: approx. 14 cm) and 3 coffee cups (H: approx. 5.5 cm); the coffee cups also with small fine corresponding portraits in gold-framed cartouches with cornucopia and floral motifs and with inscriptions of the subjects on the base; good condition with slight age-related signs of wear (fine scratches, one saucer with a small chip on the underside); original porcelain marks overpainted with the golden rose of Lamm and, except for one plate, each with the typical blue Lamm mark with lamb, inscription “Dresden” and various numbers; total weight: approx. 1.2 kg.
Erzgebirge woodcarving by the region’s most traditional and renowned manufacturer; extensive orchestra comprising 28 individual figures, standing and seated, each with instruments; the figures originate from various decades and all show defects (small chips, broken or missing parts); undersides mostly with original company labels from different decades, partly with old price tags; height of figures: approx. 3.8-6 cm; total weight: approx. 314 g.
Barrel and cap made of black precious resin with white Montblanc emblem on the cap top; handcrafted bi-color nib marked “4810 14C MONTBLANC 585”; gold-plated rings, one marked “MONTBLANC – MEISTERSTÜCK No 149”; clip ring marked “GERMANY”; signs of use; no guarantee on function; length: approx. 14.7 cm; weight: approx. 38 g.
Brown-patinated bronze; “Le Gentilhomme dit le Callot”; figurative depiction of a gentleman with a pointed beard in historical or allegorical attire, with theatrical features, his head slightly inclined, gaze directed downward, one hand resting on a long staff; signed on the side of the base; surface slightly rubbed, staff slightly bent; height: approx. 32.8 cm; weight: approx. 2549 g.
Copper, gilt with polychrome enamel décor; large beaker with conical body, the front adorned with surrounding ornamental copper fillets, horizontally and ring-shapedly finished at the base and lip rim, filled with enamel in iridescent violet and orange tones with a golden shimmer, interior enamelled in violet with a craquelure structure; stamped monogram on the underside of the base; surface rubbed, well-maintained condition; height: approx. 9.8 cm; weight: approx. 353 g.