3 Kaffeegedecke mit Portraitmalerei (u.a. nach Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, um 1900
3 coffee sets with portrait painting (among others after Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, c. 1900
Weißporzellan mit feiner polychromer Portraitmalerei im Spiegel der Teller mit reichhaltiger Goldstaffage und floraler Reliefgoldmalerei auf farbigem Fonds (dieser Rot, irisierend Purpurrot und Grün); Konvolut bestehend aus: 3 Tellern (D: ca. 19,2 cm), bezeichnet im Boden „Marie Antoinette.(Lebrun)“, „Lampale“ und „Kind v. Vogel.Dresdner Galerie“ (nach einem Gemälde von Christian Leberecht Vogel), 3 Untertassen (D: ca. 14 cm) und 3 Kaffeetassen (H: ca. 5,5 cm); die Kaffeetassen ebenfalls mit kleinen feinen korrespondierenden Portraits in goldumrahmten Kartuschen mit Füllhorn und Floralmotiven und im Boden mit Motivbezeichnung; guter Zustand mit leichten altersbedingten Gebrauchsspuren (feine Kratzerchen, eine Untertasse mit kleiner Bestoßung unterseitig); ursprüngliche Porzellanmarken übermalt mit der goldenen Rose von Lamm und bis auf einen Teller jeweils mit der typischen blauen Lamm-Marke mit Lamm, Schriftzug „Dresden“ und verschiedenen Nummern; Gesamtgewicht: ca. 1,2 kg.
White porcelain with fine polychrome portrait painting in the wells of the plates, with rich gilt decoration and floral raised gilding on coloured ground (red, iridescent purplish red and green); ensemble consisting of: 3 plates (D: approx. 19.2 cm), inscribed on the base “Marie Antoinette (Lebrun)”, “Lampale” and “Child by Vogel. Dresden Gallery” (after a painting by Christian Leberecht Vogel), 3 saucers (D: approx. 14 cm) and 3 coffee cups (H: approx. 5.5 cm); the coffee cups also with small fine corresponding portraits in gold-framed cartouches with cornucopia and floral motifs and with inscriptions of the subjects on the base; good condition with slight age-related signs of wear (fine scratches, one saucer with a small chip on the underside); original porcelain marks overpainted with the golden rose of Lamm and, except for one plate, each with the typical blue Lamm mark with lamb, inscription “Dresden” and various numbers; total weight: approx. 1.2 kg.
Copper, gilt with polychrome enamel décor; small bowl with bulbous wall on a round base ring with copper fillets in floral form, base ring and lip rim horizontally and ring-shapedly finished, filled with enamel in violet, blue and green tones; interior enamelled in blue and green tones with a craquelure structure; monogrammed on the underside; surface rubbed, well-maintained condition; height: approx. 7 cm; weight: approx. 218 g.
Three coloured etchings on wove paper; various erotic caricatures; all numbered lower left “23/85” and signed lower right; very good condition consistent with age; plate dimensions: approx. 15.3 x 11 cm, 13 x 16 cm and 11 x 15.5 cm; sheet dimensions: approx. 38 x 32 cm.
Pencil and gouache on paper; abstract painting with complementary colour concept; depiction of a nude dancing woman wearing red dance shoes; signed and dated (19)82 lower right; mounted in a wide chamois-coloured Passepartout; under glass; modern white frame with some discolouration; not opened; original invoice from Galerie Holtmann, Cologne, from 1982 enclosed; image section dimensions: approx. 31 x 22.5 cm; frame dimensions: approx. 51.8 x 41.3 cm; weight: approx. 1560 g.
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Aquatint and etching on paper, coloured; “Cavaliere II” from 1972; abstract, static depiction of a horse with rider in dark blue tones, their forms merging into one another against radiant violet and red colour nuances; numbered in pencil lower left “38/75” and signed lower right; dark wide Passepartout; under glass; narrow silver frame; not opened; image section dimensions: ca. 57 x 48.5 cm; frame dimensions: ca. 80 x 66.5 cm; weight: ca. 3.78 kg.
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