3 Kaffeegedecke mit Portraitmalerei (u.a. nach Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, um 1900
3 coffee sets with portrait painting (among others after Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, c. 1900
Weißporzellan mit feiner polychromer Portraitmalerei im Spiegel der Teller mit reichhaltiger Goldstaffage und floraler Reliefgoldmalerei auf farbigem Fonds (dieser Rot, irisierend Purpurrot und Grün); Konvolut bestehend aus: 3 Tellern (D: ca. 19,2 cm), bezeichnet im Boden „Marie Antoinette.(Lebrun)“, „Lampale“ und „Kind v. Vogel.Dresdner Galerie“ (nach einem Gemälde von Christian Leberecht Vogel), 3 Untertassen (D: ca. 14 cm) und 3 Kaffeetassen (H: ca. 5,5 cm); die Kaffeetassen ebenfalls mit kleinen feinen korrespondierenden Portraits in goldumrahmten Kartuschen mit Füllhorn und Floralmotiven und im Boden mit Motivbezeichnung; guter Zustand mit leichten altersbedingten Gebrauchsspuren (feine Kratzerchen, eine Untertasse mit kleiner Bestoßung unterseitig); ursprüngliche Porzellanmarken übermalt mit der goldenen Rose von Lamm und bis auf einen Teller jeweils mit der typischen blauen Lamm-Marke mit Lamm, Schriftzug „Dresden“ und verschiedenen Nummern; Gesamtgewicht: ca. 1,2 kg.
White porcelain with fine polychrome portrait painting in the wells of the plates, with rich gilt decoration and floral raised gilding on coloured ground (red, iridescent purplish red and green); ensemble consisting of: 3 plates (D: approx. 19.2 cm), inscribed on the base “Marie Antoinette (Lebrun)”, “Lampale” and “Child by Vogel. Dresden Gallery” (after a painting by Christian Leberecht Vogel), 3 saucers (D: approx. 14 cm) and 3 coffee cups (H: approx. 5.5 cm); the coffee cups also with small fine corresponding portraits in gold-framed cartouches with cornucopia and floral motifs and with inscriptions of the subjects on the base; good condition with slight age-related signs of wear (fine scratches, one saucer with a small chip on the underside); original porcelain marks overpainted with the golden rose of Lamm and, except for one plate, each with the typical blue Lamm mark with lamb, inscription “Dresden” and various numbers; total weight: approx. 1.2 kg.
585 white gold; total weight: approx. 24.5 g; two flat parallel stylised cord chains; central open section with claw settings holding 3 sapphires of approx. 2.40 ct, approx. 2.20 ct and approx. 2.60 ct, total 7.20 ct; faceted in cushion shape; probably Thailand; central sapphire unheated, the two side sapphires heated; divided by 4 brilliant-cut diamonds of approx. 0.52 ct, approx. 0.68 ct, approx. 0.68 ct and approx. 0.52 ct, total approx. 2.41 ct; colour: H; clarity: VVSI-VSI; concealed box clasp and side safety catches; central width: approx. 13.1 mm; total length: approx. 17.5 cm. All information according to the Gemmological Institute Hamburg, 2025.
750 white gold; total weight: approx. 13.2 g; stylised angular ring form with centrally set square chalcedony cabochon on the top; underside faceted in four tapering sections; dimensions: approx. 8 x 8 mm; inner shank engraved: 52 C Cartier 2000 and 750 Cartier K05798; width of the shank centre: approx. 8 mm; height: approx. 6 mm; ring size: 52; original case and certificate.
750 white gold; total weight: approx. 9.8 g; 8 adjacent claw settings in a slight lateral curve, each set with one brilliant-cut diamond, total approx. 3.98 ct (according to engraving); colour: F-H; clarity: VVSI-VSI; short profiled end pieces on each side; double-secured stick pin; dimensions of the pin: approx. 6.3 x 56.2 mm; height: approx. 4.5 mm.
750 rose gold; total weight: approx. 3.6 g; flat cross shape in fine filigree work with small delicate bead and ornamental solderings along the sides of the rim; flared triangular bail; total length incl. bail: approx. 51.2 mm; width: approx. 28 mm.