Konvolut Füllfederhalter, Montblanc, Hamburg und Waterman, Paris, 2. Hälfte 20. Jahrhundert
Konvolut Füllfederhalter, Montblanc, Hamburg und Waterman, Paris, 2. Hälfte 20. Jahrhundert
3-teiliges Konvolut Füllfederhalter bestehend aus: 1) Kolbenfüller von Montblanc aus der Meisterstück-Serie 140 (Exportmodell) aus schwarzem Edelharz bzw. frühem Celluloid mit vergoldeten Beschlägen und 585/- Goldfeder; Nummerierung am Drehverschluss und abnehmbare Kappe mit Gravur „Montblanc Masterpiece“ sowie cremefarbenem Logo auf der Kappenspitze; auf der Feder Gravur „4810“ und „M“; Länge: ca. 13,5 cm. 2) Zwei Füllfederhalter von Waterman, Paris, aus schwarzem Harz mit vergoldeten Zierelementen und Clips, abnehmbarer Kappe mit Logos und Firmenname geprägt; Länge: ca. 13,5 cm und 13,8 cm. Alle drei Füller mit altersbedingten Gebrauchsspuren und Mikrokratzern; Gesamtgewicht: ca. 70 g.
Set of fountain pens, Montblanc, Hamburg and Waterman, Paris, second half of the 20th century
Three-piece set of fountain pens comprising: 1) piston filler by Montblanc from the Meisterstück series 140 (export model) made of black precious resin or early celluloid with gilt fittings and 585/- gold nib; numbered at the turning knob and with a detachable cap engraved “Montblanc Masterpiece” and cream-coloured logo on the cap top; nib engraved “4810” and “M”; length: approx. 13.5 cm. 2) Two fountain pens by Waterman, Paris, made of black resin with gilt decorative elements and clips, detachable cap with embossed logos and company name; lengths: approx. 13.5 cm and 13.8 cm. All three pens with age-related signs of wear and micro-scratches; total weight: approx. 70 g.
Colour lithograph on paper; “Petit Laboureur” from 1969; fantastic realism; depiction of several figures and faces in various stylistic forms with complementary colour concept of blue and red tones; inscribed at the top “Der Blüger”, dated, titled and signed below; not opened; simple blue wooden frame; under glass; good condition consistent with age; image section dimensions: approx. 49.2 x 39.2 cm; frame dimensions: approx. 56.8 x 46.8 cm; weight: approx. 2.4 kg.
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Pastel on thin artist’s board; “Unter Segeln (IV)” from 2010; naturalistic maritime painting; section of a sunlit ship’s sail billowing in the wind under a blue sky with breaking clouds; signed lower right; reverse with adhesive label containing information from the artist and handwritten numbering; white Passepartout; under museum glass; not opened; modern white wooden frame; image size: approx. 50 x 75 cm; frame size: approx. 83 x 105 cm; weight: approx. 8.5 kg.
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Colour lithograph on wove paper; “Les Amoureux”, circa 1958; combination of surrealism and expressionism; depiction of a figure in stylised bird form and one in stylised female form, closely entwined, visually merging into one figure, flying at night by full moon over a village landscape; mounted three-dimensionally in an enlarged Passepartout; under glass; blue angular frame; not opened; reverse with gallery adhesive labels; with certificate from “Galerie Hohmann” in Hamburg; edition of approx. 3000 unsigned and unnumbered copies; sheet dimensions: approx. 27.5 x 21.7 cm; frame dimensions: approx. 62.3 x 52 cm; weight: approx. 2.6 kg.
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Colour lithograph on paper; “David and Bathsheba” from 1956, from Chagall’s Bible series; depiction of the faces of David and Bathsheba in frontal and side perspective, almost merging into one face through soft contours and the absence of perspectival boundaries, set against an abstracted background with biblical and figurative elements; wide white Passepartout; under glass; gilt profiled wooden frame; not opened; reverse with gallery adhesive label; catalogue raisonné: Mourlot 132; sheet dimensions: approx. 35.3 x 25.8 cm; frame dimensions: approx. 63 x 53 cm; weight: approx. 2.4 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.