3 Kaffeegedecke mit Portraitmalerei (u.a. nach Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, um 1900
3 coffee sets with portrait painting (among others after Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, c. 1900
Weißporzellan mit feiner polychromer Portraitmalerei im Spiegel der Teller mit reichhaltiger Goldstaffage und floraler Reliefgoldmalerei auf farbigem Fonds (dieser Rot, irisierend Purpurrot und Grün); Konvolut bestehend aus: 3 Tellern (D: ca. 19,2 cm), bezeichnet im Boden „Marie Antoinette.(Lebrun)“, „Lampale“ und „Kind v. Vogel.Dresdner Galerie“ (nach einem Gemälde von Christian Leberecht Vogel), 3 Untertassen (D: ca. 14 cm) und 3 Kaffeetassen (H: ca. 5,5 cm); die Kaffeetassen ebenfalls mit kleinen feinen korrespondierenden Portraits in goldumrahmten Kartuschen mit Füllhorn und Floralmotiven und im Boden mit Motivbezeichnung; guter Zustand mit leichten altersbedingten Gebrauchsspuren (feine Kratzerchen, eine Untertasse mit kleiner Bestoßung unterseitig); ursprüngliche Porzellanmarken übermalt mit der goldenen Rose von Lamm und bis auf einen Teller jeweils mit der typischen blauen Lamm-Marke mit Lamm, Schriftzug „Dresden“ und verschiedenen Nummern; Gesamtgewicht: ca. 1,2 kg.
White porcelain with fine polychrome portrait painting in the wells of the plates, with rich gilt decoration and floral raised gilding on coloured ground (red, iridescent purplish red and green); ensemble consisting of: 3 plates (D: approx. 19.2 cm), inscribed on the base “Marie Antoinette (Lebrun)”, “Lampale” and “Child by Vogel. Dresden Gallery” (after a painting by Christian Leberecht Vogel), 3 saucers (D: approx. 14 cm) and 3 coffee cups (H: approx. 5.5 cm); the coffee cups also with small fine corresponding portraits in gold-framed cartouches with cornucopia and floral motifs and with inscriptions of the subjects on the base; good condition with slight age-related signs of wear (fine scratches, one saucer with a small chip on the underside); original porcelain marks overpainted with the golden rose of Lamm and, except for one plate, each with the typical blue Lamm mark with lamb, inscription “Dresden” and various numbers; total weight: approx. 1.2 kg.
Oil on wood; naturalistic landscape painting; depiction of a vast East Asian landscape with a stilt house and a figure carrying a basket on their head, a mountain range on the horizon under a slightly cloudy sky; visible brushwork; signed and dated lower left 1962; age-related signs of wear; image size: approx. 71 x 98 cm; weight: approx. 4.7 kg,
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Oil on canvas (relined); realistic landscape painting; depiction of a lakeside scene at sunset, in the centre a calm lake with sailing boats, framed by monumental mountain ranges with groups of trees and fishing nets hung out to dry on the shore in the foreground; signed and dated lower left 1819; varnished; strong surface discolouration, fine craquelure and small losses of ca. 3 mm; reverse with remnants of an old label; gilt baroque frame with ornamental decoration and age-related signs of wear; painting dimensions: ca. 41 x 61 cm; frame dimensions: ca. 51 x 70 cm; weight: ca. 2.3 kg.
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Oil on canvas; interior with glazed colour transitions; depiction of a sitting area with sections of an armchair and a chest of drawers with vases and an orchid in front of an open window, through which an expansive field with a tree landscape can be seen; signed lower right; varnish; slight paint abrasion along the lower edge; thin brown wooden frame with signs of wear; canvas should be reattached to the frame; canvas dimensions: approx. 100 x 100 cm; frame dimensions: approx. 109 x 109 cm; weight: approx. 5 kg.
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Oil and ink on artist’s board; abstract landscape painting in local colours; depiction of a wide, flat field landscape, bordered on the right by trees, with a mountain range faintly discernible on the horizon under a light blue sky; interplay of impasto application of paint and grattage gives the painting structure and creates a sense of movement; minor restoration traces at the upper right edge of the painting; signed and dated in pencil lower right 1960; verso with some indistinct notes; wide dark brown wooden frame with gilt inner border; not opened; good condition consistent with age; painting dimensions: approx. 23.3 x 47 cm; frame dimensions: approx. 23.3 x 55.8 cm; weight: approx. 850 g.