3 Kaffeegedecke mit Portraitmalerei (u.a. nach Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, um 1900
3 coffee sets with portrait painting (among others after Marie Elisabeth-Louise Vigée-Lebrun), Ambrosius Lamm, Dresden, c. 1900
Weißporzellan mit feiner polychromer Portraitmalerei im Spiegel der Teller mit reichhaltiger Goldstaffage und floraler Reliefgoldmalerei auf farbigem Fonds (dieser Rot, irisierend Purpurrot und Grün); Konvolut bestehend aus: 3 Tellern (D: ca. 19,2 cm), bezeichnet im Boden „Marie Antoinette.(Lebrun)“, „Lampale“ und „Kind v. Vogel.Dresdner Galerie“ (nach einem Gemälde von Christian Leberecht Vogel), 3 Untertassen (D: ca. 14 cm) und 3 Kaffeetassen (H: ca. 5,5 cm); die Kaffeetassen ebenfalls mit kleinen feinen korrespondierenden Portraits in goldumrahmten Kartuschen mit Füllhorn und Floralmotiven und im Boden mit Motivbezeichnung; guter Zustand mit leichten altersbedingten Gebrauchsspuren (feine Kratzerchen, eine Untertasse mit kleiner Bestoßung unterseitig); ursprüngliche Porzellanmarken übermalt mit der goldenen Rose von Lamm und bis auf einen Teller jeweils mit der typischen blauen Lamm-Marke mit Lamm, Schriftzug „Dresden“ und verschiedenen Nummern; Gesamtgewicht: ca. 1,2 kg.
White porcelain with fine polychrome portrait painting in the wells of the plates, with rich gilt decoration and floral raised gilding on coloured ground (red, iridescent purplish red and green); ensemble consisting of: 3 plates (D: approx. 19.2 cm), inscribed on the base “Marie Antoinette (Lebrun)”, “Lampale” and “Child by Vogel. Dresden Gallery” (after a painting by Christian Leberecht Vogel), 3 saucers (D: approx. 14 cm) and 3 coffee cups (H: approx. 5.5 cm); the coffee cups also with small fine corresponding portraits in gold-framed cartouches with cornucopia and floral motifs and with inscriptions of the subjects on the base; good condition with slight age-related signs of wear (fine scratches, one saucer with a small chip on the underside); original porcelain marks overpainted with the golden rose of Lamm and, except for one plate, each with the typical blue Lamm mark with lamb, inscription “Dresden” and various numbers; total weight: approx. 1.2 kg.
Oil on artist’s board, relined; realistic portrait painting; male portrait; shoulder-length depiction in half-profile; portrayal of a middle-aged man in dark clothing against a dark background; several restoration traces, especially in the lower area of the painting; reverse inscribed in pencil “Schlabitz Berlin” and with two numbered paper labels; gilded ornate frame with floral and ornamental décor; age-related signs of wear; painting dimensions: approx. 59 x 47 cm; frame dimensions: approx. 82 x 72 cm; weight: approx. 7.6 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on wood; romantic genre painting; realistic depiction of a tavern interior with staffage figures; fine horizontal crack in the centre of the wooden panel; heavy gilded profiled frame with surrounding oak leaf and beaded border décor; not opened; age-related signs of wear; painting dimensions: approx. 46.5 x 62 cm; frame dimensions: approx. 73 x 87 cm; weight: approx. 9.3 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on canvas; expressionist, colouristic depiction of a nude female figure with a bald head, holding a goose by the neck in one hand, next to its beak a hovering head looking downwards incorporated in sgraffito; impasto application of paint; signed and dated centre bottom “Korber 91”; minor paint abrasions; painting dimensions: ca. 170 x 135 cm; weight: ca. 4.9 kg.
Shipping exclusively by forwarding agent or at the buyer’s risk.
Oil on canvas; “Don Quixote” from 1937; expressive figurative depiction of the Spanish novel hero Don Quixote as a half-figure in half-profile in front of an architectural backdrop; signed and dated lower right; Schröers was a member of the Rhenish Secession; linen canvas partially frayed at the cut edges; good condition consistent with age; painting dimensions: approx. 33 x 24 cm; weight: approx. 400 g.